Monir Farmanfarmaian; The Death of a Legend
In the following years, she would further develop her Persian inspiration by crafting mirror mosaics and abstract monotypes, featuring her work at the Iran Pavilion in the 1958 Venice Biennale, and holding a number of exhibitions in places such as Tehran University (1963), the Iran-America Society (1973), and the Jacques Kaplan/Mario Ravagnan Gallery (1974)