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Nozhat Badi writes about this presence: When Zahra Amir Ebrahimi's private film was shown, it was as if a big scandal had taken place. Many saw the film and stirred its margins and commented on it with Abutab. It was not as if they were dealing with a scene from a woman's real life. Nobody asked himself, what had Zahra done that everyone said her reputation was ruined? The screening of Zahra's film was a violation of her privacy, first by her trusted friend and then by the community. Now the same woman is in the lead role of Ali Abbasi, an Iranian-Swedish filmmaker, at the Cannes Film Festival, and everyone remembers her again. It is a bitter reality, but this honor belongs only to itself, not to Iranian cinema. To himself, who alone rebuilt Zahra Amir Ebrahimi, whom they destroyed.
Competition Of 3 Iranian Actresses In Cannes Film Festival
Nozhat Badi writes about this presence: When Zahra Amir Ebrahimi's private film was shown, it was as if a big scandal had taken place. Many saw the film and stirred its margins and commented on it with Abutab. It was not as if they were dealing with a scene from a woman's real life. Nobody asked himself, what had Zahra done that everyone said her reputation was ruined? The screening of Zahra's film was a violation of her privacy, first by her trusted friend and then by the community. Now the same woman is in the lead role of Ali Abbasi, an Iranian-Swedish filmmaker, at the Cannes Film Festival, and everyone remembers her again. It is a bitter reality, but this honor belongs only to itself, not to Iranian cinema. To himself, who alone rebuilt Zahra Amir Ebrahimi, whom they destroyed.