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As early as 1885 many of Sevruguin’s photographs were being published in travelogues, journals, and books. By that time he had a fully established a studio on Tehran’s Ala al-Dawla Street and cemented ties to the court of the Qajar ruler Nasir al-Din Shah (reigned 1848—96). During his lifetime, Sevruguin was often not acknowledged as the source of published images, as in the case of the photographic survey of Persepolis in 1902. On numerous occasions, however, he was celebrated for his artistic vision and his keen eye for composition
Women’s Worlds in Qajar Iran – Antoin Sevruguin
As early as 1885 many of Sevruguin’s photographs were being published in travelogues, journals, and books. By that time he had a fully established a studio on Tehran’s Ala al-Dawla Street and cemented ties to the court of the Qajar ruler Nasir al-Din Shah (reigned 1848—96). During his lifetime, Sevruguin was often not acknowledged as the source of published images, as in the case of the photographic survey of Persepolis in 1902. On numerous occasions, however, he was celebrated for his artistic vision and his keen eye for composition